The Sarah Silverman Program

I just saw the Sarah Silverman Program for the first time today, and I'm astounded at how good it is. That isn't necessarily an assessment of its net comedy value, but rather the fact that they took what by all rights should have been stupid, offensive, gross-out humour and made it funny. I don't normally find that kind of humour funny at all, but I was laughing! And now I'm trying to figure out why.

I think I was laughing despite the gross-out humour, not because of it. I don't find the "Look! A fart!" funny, but the way they set up a whole situation that is funny, with or without the fart. Saying it's funny doesn't do it justice. It's both tightly plotted, with everything being used well, and utterly bizarre.

The bizarreness actually helps make it funny despite subject matter that should be offensive. These characters clearly do not inhabit the real world. Natural consequences to their actions exist or do not exist as necessary to serve the comedy. Sarah invites a homeless guy to come home with her, and he doesn't take it as a pickup or show any sexual interest in her. He takes her frankly insulting attempts to help him exactly as well as she intended him to take them. Why? Because it's funnier that way and moves the plot in the necessary direction. She starts talking about queefing on TV, going way overboard, and the TV audience thinks it's hilarious but the homeless guy is offended. Why? Because it's funnier that way and moves the plot in the necessary direction. I know I usually complain about lack of natural consequences in my fiction, but for comedic purposes this works better without. And I can accept it on that basis. It's like Monty Python with a plot in that way.

I'm not 100% sure, but I think this show doesn't have a laugh track, and that really helps, especially when the humour is such a delicate balance. They aren't telling me what's funny and what isn't. My enjoyment isn't interrupted by a bunch of fake people laughing at a fart. I can just take what I can use and go on, as Ani Difranco says. Without a laugh track, it's like when someone mentions in passing that they have a core belief that you find objectionable; with the laugh track, it's like when they spend the entire dinner party trying to get you to change your core beliefs to correspond with theirs.

I'll probably come back to this later, because I'm fascinated by the fact that I find this funny. For now, I just hope that zombie ghost thing doesn't give me nightmares tonight!