I was in a Home Hardware (where I don't shop very often, because it's less convenient than many other stores), and one of the items I was looking for was Draino. (An occupational hazard of having long hair!) I looked on the shelf with all the other household cleaning products (which is where it always is in supermarkets and drug stores), but couldn't find it. So I asked an employee, and he took me to the very, very back of the store, where there was an assortment of drain decloggers alongside a wall of toilet plungers.
Which raises the question: why are the toilet plungers at the very, very back of the store? The items at the very, very back tend to be those that you need the help of expert employees for (i.e. the middle-aged full-timer with half a dozen DIY renovations under their belt, not the teenager stocking the shelves), and toilet plungers don't seem to fall into that category.
So why are they at the very, very back? Walk of shame? Or are they frequently shoplifted by people trying to avoid a walk of shame?
Or are they just trying to make sure people don't think it's a poo shop?
Friday, November 20, 2015
Thursday, November 19, 2015
New Rules: Natural Consequences Edition VIII
I was trying to brainstorm this one a while back, but a simple, elegant solution came to me in the shower.
12. If you lie to someone about their own thoughts, feelings, motives or experiences, you have to shut up for 24 hours. You are not allowed to talk in the presence of the person to whom you lied about themselves during this time. If the lie was communicated by mass media or another non-verbal medium, you're not allowed to use the medium in question in a way that will enter their sphere of awareness for the next 24 hours. So if you tweeted the lie, you can't tweet for 24 hours. If you mentioned it in a TV interview, you can't talk on TV for 24 hours. (So if you're a politician campaigning, be careful when you say "Torontonians want X")
For every subsequent offence, this 24-hour period is doubled (e.g. 48 hours for the second offence, 96 hours for the third offence, etc.)
The person to whom you lied about themselves is has the discretion to permit you to respond to a direct query on a case by case basis, but if you lie to them during this time it counts as a subsequent offence, and the punishment for the subsequent offence is doubled. Sentences are served consecutively. (e.g. If, during the 24-hour period following your first lie, they give you permission to respond to a direct query and you lie to them about themselves in your response, you have to serve another 96 hours after the first 24 hours expires.)
13. Sometimes, people who say assholic things claim that they're the only one brave enough to express that opinion, when in reality no one else is even thinking those assholic thoughts.
People who do this should be treated like they're too cowardly to do every single thing that it has never occurred to them to do, with whatever the attendant social consequences of not being brave are in their circle.
12. If you lie to someone about their own thoughts, feelings, motives or experiences, you have to shut up for 24 hours. You are not allowed to talk in the presence of the person to whom you lied about themselves during this time. If the lie was communicated by mass media or another non-verbal medium, you're not allowed to use the medium in question in a way that will enter their sphere of awareness for the next 24 hours. So if you tweeted the lie, you can't tweet for 24 hours. If you mentioned it in a TV interview, you can't talk on TV for 24 hours. (So if you're a politician campaigning, be careful when you say "Torontonians want X")
For every subsequent offence, this 24-hour period is doubled (e.g. 48 hours for the second offence, 96 hours for the third offence, etc.)
The person to whom you lied about themselves is has the discretion to permit you to respond to a direct query on a case by case basis, but if you lie to them during this time it counts as a subsequent offence, and the punishment for the subsequent offence is doubled. Sentences are served consecutively. (e.g. If, during the 24-hour period following your first lie, they give you permission to respond to a direct query and you lie to them about themselves in your response, you have to serve another 96 hours after the first 24 hours expires.)
13. Sometimes, people who say assholic things claim that they're the only one brave enough to express that opinion, when in reality no one else is even thinking those assholic thoughts.
People who do this should be treated like they're too cowardly to do every single thing that it has never occurred to them to do, with whatever the attendant social consequences of not being brave are in their circle.
Wednesday, November 18, 2015
Paternity and participation
Just a few of the many thing that exist in the world:
1. People who think that a good sense of humour means not holding back when it occurs to you to make a joke, and that uttering every potentially-humorous thing that occurs to you, no matter how worthy or advisable, is laudable.
2. People who think that being present in your children's lives is sufficient to constitute good parenting.
3. People who think it's disgraceful that Kids Today allegedly get trophies for participation.
I've noticed that Category 1 seems to correlate with fatherhood, to the extent that really pathetic jokes that aren't even worth the breath it takes to utter them are called "dad jokes"
I've noticed that Category 2 seems to correlate with fatherhood, to the extent that people think the character of Cliff Huxtable is an exemplar of fatherhood solely on the grounds that he's seen on screen interacting with his children.
And, in my own experience, the majority of people (or, at least, the loudest segment) in Category 3 are men. I don't know how many of them are fathers, but most fathers are men.
So I find myself wondering how many people fall into all three categories, wanting kudos for mere participation in humour and/or fatherhood, but complaining when the same thing is offered to their children.
1. People who think that a good sense of humour means not holding back when it occurs to you to make a joke, and that uttering every potentially-humorous thing that occurs to you, no matter how worthy or advisable, is laudable.
2. People who think that being present in your children's lives is sufficient to constitute good parenting.
3. People who think it's disgraceful that Kids Today allegedly get trophies for participation.
I've noticed that Category 1 seems to correlate with fatherhood, to the extent that really pathetic jokes that aren't even worth the breath it takes to utter them are called "dad jokes"
I've noticed that Category 2 seems to correlate with fatherhood, to the extent that people think the character of Cliff Huxtable is an exemplar of fatherhood solely on the grounds that he's seen on screen interacting with his children.
And, in my own experience, the majority of people (or, at least, the loudest segment) in Category 3 are men. I don't know how many of them are fathers, but most fathers are men.
So I find myself wondering how many people fall into all three categories, wanting kudos for mere participation in humour and/or fatherhood, but complaining when the same thing is offered to their children.
Wednesday, November 11, 2015
Help write the next New Rules: Natural Consequences Edition
Last week's Carolyn Hax chat mentions in various places parents scolding adult children with variations on "That's not how I raised you!" (They're scattered throughout the chat - easiest way to find them is by doing a Ctrl+F for "raise".)
This statement does a lot of things. It disregards the adult child's very selfhood by treating their choices like nothing more than the result of the parent's input rather than being a function of their own personality and decisions and humanity. But then it turns around and, with tone and delivery blames and scolds the adult child for the input not having been adequate to produce the desired output.
If you point out this logical fallacy by pointing out that, within that framework, it's the parents fault that they didn't get the desired outcome and therefore not something to scold the adult child about, you're accepting the parent's premise that the adult child isn't a human being with their own selfhood and is instead merely the result of the parent's input. If you point out that when you have a human child the result is an autonomous human being, that simply intensifies whatever they're scolding about in the first place.
It's dehumanizing and based on a logical fallacy that feeds upon itself. I think it needs a natural consequence but can't think of one at the moment.
Ideas?
This statement does a lot of things. It disregards the adult child's very selfhood by treating their choices like nothing more than the result of the parent's input rather than being a function of their own personality and decisions and humanity. But then it turns around and, with tone and delivery blames and scolds the adult child for the input not having been adequate to produce the desired output.
If you point out this logical fallacy by pointing out that, within that framework, it's the parents fault that they didn't get the desired outcome and therefore not something to scold the adult child about, you're accepting the parent's premise that the adult child isn't a human being with their own selfhood and is instead merely the result of the parent's input. If you point out that when you have a human child the result is an autonomous human being, that simply intensifies whatever they're scolding about in the first place.
It's dehumanizing and based on a logical fallacy that feeds upon itself. I think it needs a natural consequence but can't think of one at the moment.
Ideas?
The Toronto Star ipad app problem
The Toronto Star recently came out with an ipad app, and they seem to be pushing it pretty hard, perhaps even prioritizing it over everything else.
The problem is that this renders some content inaccessible to people who don't have ipads.
If an ipad user tweets an article from the Star, it provides a link to the ipad version. If you're reading on a computer, it doesn't autodetect that and direct you to the web version, or provide a link at the bottom to the full version like many mobile websites do. The ipad link doesn't always provide the full text of the article, and (so far, at least) when I've searched the Star website for the headline or the lede, it hasn't turned up anything.
There have even been one or two times when an article is teased in the print version of the newspaper, and they tell you to go to the ipad version for the full story!
So it seems that there are Toronto Star articles that can't be read in the print newspaper, on a computer, on a non-ipad tablet, or on a non-ipad i-device. They can only be read on an ipad.
Which is not a negligible inconvenience for people who don't need or can't afford ipads!
An ipad costs several hundred dollars. (Currently, the prices in the Apple Store range from $329 to $1429.) My experience with other Apple products has been that I can only get a few years of use out of them, and I see no indication that this would be any different for ipads.
So the Star is creating a situation where, to get access to all the journalism in your local daily, you need to pay at least $100 a year to another, unaffiliated corporation for a device that you may well have no other need for.
Do the owners of the Toronto Star own Apple stock?
I'm also wondering how this will affect googleability and archivability. Since I can't seem to get at them via web, it seems they aren't googleable. Can you access old articles in the app, or does it give you solely today's content? (I have no idea, because I don't have an ipad.) Do they turn up in library periodical indices so they'll be available to people doing historical research in the future? If the Star writes an article about your kid's awesome science project or gives your play a glowing review, is there a way to save the article for posterity? Even after the ipad is obsolete?
The problem is that this renders some content inaccessible to people who don't have ipads.
If an ipad user tweets an article from the Star, it provides a link to the ipad version. If you're reading on a computer, it doesn't autodetect that and direct you to the web version, or provide a link at the bottom to the full version like many mobile websites do. The ipad link doesn't always provide the full text of the article, and (so far, at least) when I've searched the Star website for the headline or the lede, it hasn't turned up anything.
There have even been one or two times when an article is teased in the print version of the newspaper, and they tell you to go to the ipad version for the full story!
So it seems that there are Toronto Star articles that can't be read in the print newspaper, on a computer, on a non-ipad tablet, or on a non-ipad i-device. They can only be read on an ipad.
Which is not a negligible inconvenience for people who don't need or can't afford ipads!
An ipad costs several hundred dollars. (Currently, the prices in the Apple Store range from $329 to $1429.) My experience with other Apple products has been that I can only get a few years of use out of them, and I see no indication that this would be any different for ipads.
So the Star is creating a situation where, to get access to all the journalism in your local daily, you need to pay at least $100 a year to another, unaffiliated corporation for a device that you may well have no other need for.
Do the owners of the Toronto Star own Apple stock?
I'm also wondering how this will affect googleability and archivability. Since I can't seem to get at them via web, it seems they aren't googleable. Can you access old articles in the app, or does it give you solely today's content? (I have no idea, because I don't have an ipad.) Do they turn up in library periodical indices so they'll be available to people doing historical research in the future? If the Star writes an article about your kid's awesome science project or gives your play a glowing review, is there a way to save the article for posterity? Even after the ipad is obsolete?
Puddle-proofing crosswalks
In the winter, big slushy puddles tend to form in crosswalks, making things difficult for everyone. Pedestrians crossing at the crosswalk have to attempt a grand jeté or ruin their boots, people walking near the intersection get splashed by passing cars, it's just no good at all.
So what if they put the storm sewers actually in the crosswalk, where the water seems to want to be?
If it would cause accessibility issues, they could put the sewer grates at the apex of the corner, where it would be directly in your path if you were trying to cross diagonally but easily avoidable if you're crossing within the crosswalk.
Another option would be to raise the corner of the road slightly. Maybe instead of having a cutaway on the sidewalk, they could raise the level of the road and create a ramp within the gutter zone rather than within the sidewalk zone, or maybe they could meet each other halfway. Then water would have no reason to accumulate right where people are walking.
Another option would be to have the entire gutters be lower than the road but covered with a grate at road level. So instead of the water flowing along the road until it reaches a storm sewer (and causing puddles if it reaches an impasse), it flows along below road level, and has a lot more leeway before it causes disruptive puddles.
So what if they put the storm sewers actually in the crosswalk, where the water seems to want to be?
If it would cause accessibility issues, they could put the sewer grates at the apex of the corner, where it would be directly in your path if you were trying to cross diagonally but easily avoidable if you're crossing within the crosswalk.
Another option would be to raise the corner of the road slightly. Maybe instead of having a cutaway on the sidewalk, they could raise the level of the road and create a ramp within the gutter zone rather than within the sidewalk zone, or maybe they could meet each other halfway. Then water would have no reason to accumulate right where people are walking.
Another option would be to have the entire gutters be lower than the road but covered with a grate at road level. So instead of the water flowing along the road until it reaches a storm sewer (and causing puddles if it reaches an impasse), it flows along below road level, and has a lot more leeway before it causes disruptive puddles.
It's time for a more realistic First World War narrative
A while back I read an article (which I'm kicking myself for not bookmarking!) postulating that the people of Great Britain were so psychologically traumatized, individually and collectively, by waste and horror and pointlessness of the First World War, that society collectively imposed a meaningful narrative upon it. They just couldn't cope with the idea that all this waste had been for nothing, so over the "Never Again" message intended by the creators of Remembrance Day, they superimposed glamorous sepia-toned Dashing Young Heroes, Fighting For Our Freedom.
That explains so much!
But, while I do thoroughly empathize with the need to control your narrative to get through the day, it's getting to be time to retire that narrative. The last surviving WWI veteran died in 2012, at the age of 110. If there are any WWI survivors left in the world, they're pushing the century mark and, because they were so young at the time, may not even remember the war. We're either approaching or have already passed the point where there's no one left whose psychological trauma needs to be attended to with this more-meaningful narrative.
The 100th anniversary of the end of WWI is coming up in a few short years. Think pieces will be written. All we have to do is not include the sepia-toned heroism in the think pieces. Talk instead about waste and tragedy. Talk about how it didn't even need to be a war, even by the standards by which things sometimes need to be a war. Talk about how the ignorance of eager young recruits and the short-sightedness of governments led them to charge in, expecting a Jolly Good Adventure, with no idea what they were getting into. Talk about how this all destroyed individuals and families and communities and societies and physically broke Europe and created the conditions that gave rise to nazism. Maybe even talk some more about how people at the time had to impose a narrative of meaning and purpose to cope with their psychological trauma.
The unfortunate side effect of this imposition of a narrative of meaning on WWI has been that the waste, horror and pointlessness are not as much at the forefront of subsequent generations' minds as they should be. This creates a situation where subsequent generations are just as ignorant as the WWI-era recruits and governments who charged in expecting a Jolly Good Adventure and ended up in hell. And this ignorance may well affect decisions about whether to get involved in future warfare - thinking that WWI had purpose affects our mental ratio of "purpose vs. pointlessness of war", so we might be more likely to see purpose (or assume there must be purpose even though we can't see it) in a potential future war.
By restoring a more accurate narrative of pointlessness and waste, we'll reduce the chance of making the same mistakes in the future, which is the best way to honour all those who were killed or destroyed in or by the First World War.
That explains so much!
But, while I do thoroughly empathize with the need to control your narrative to get through the day, it's getting to be time to retire that narrative. The last surviving WWI veteran died in 2012, at the age of 110. If there are any WWI survivors left in the world, they're pushing the century mark and, because they were so young at the time, may not even remember the war. We're either approaching or have already passed the point where there's no one left whose psychological trauma needs to be attended to with this more-meaningful narrative.
The 100th anniversary of the end of WWI is coming up in a few short years. Think pieces will be written. All we have to do is not include the sepia-toned heroism in the think pieces. Talk instead about waste and tragedy. Talk about how it didn't even need to be a war, even by the standards by which things sometimes need to be a war. Talk about how the ignorance of eager young recruits and the short-sightedness of governments led them to charge in, expecting a Jolly Good Adventure, with no idea what they were getting into. Talk about how this all destroyed individuals and families and communities and societies and physically broke Europe and created the conditions that gave rise to nazism. Maybe even talk some more about how people at the time had to impose a narrative of meaning and purpose to cope with their psychological trauma.
The unfortunate side effect of this imposition of a narrative of meaning on WWI has been that the waste, horror and pointlessness are not as much at the forefront of subsequent generations' minds as they should be. This creates a situation where subsequent generations are just as ignorant as the WWI-era recruits and governments who charged in expecting a Jolly Good Adventure and ended up in hell. And this ignorance may well affect decisions about whether to get involved in future warfare - thinking that WWI had purpose affects our mental ratio of "purpose vs. pointlessness of war", so we might be more likely to see purpose (or assume there must be purpose even though we can't see it) in a potential future war.
By restoring a more accurate narrative of pointlessness and waste, we'll reduce the chance of making the same mistakes in the future, which is the best way to honour all those who were killed or destroyed in or by the First World War.
What if some copies of popular library books didn't have a space on the shelf?
If you follow me on twitter, you know I've been getting irritated with the Toronto Public Library having only ebooks and no print copies of certain titles. I find reading electronically inconvenient, and the app you have to use to read library ebooks extra inconvenient. So far, if a book hasn't been available in print, I just haven't added it to my list.
But I was quite baffled to find that Down the Rabbit Hole, the anthology containing the latest In Death novella, is not available in print at all! In Death is a long-running series with over 50 titles, and every single title, including the anthologies containing the other novellas, is available from the library in print. But not this one. Even the next book, Brotherhood in Death, which isn't due to come out until February, is already on order and holdable in print. There's certainly precedent!
This is especially mysterious since the library has publicly spoken out against unfairly high ebook prices, so you'd think with ebooks being unfairly expensive they buy more print copies and fewer electronic copies. (Or, since libraries are given a limited number of uses for each copy of an ebook they buy, they'd at least give customers the option of reading on paper if that's what they prefer.) In the press release, the Chief Librarian is quoted as saying "Ensuring universal access to information in all its forms is key to public libraries’ mandate." Surely ensuring access to information in all its forms includes in print!
But a comment conversation here made me think that the reason for not getting paper copies of everything might be lack of physical shelf space! Which gave me an idea...
If the problem is in fact shelf space, what if, for books where the library acquires a large number of copies and anticipates many times that number of holds, a certain number of copies aren't assigned a space on a shelf in a branch? They just circulate throughout the holds system and are sent to the next customer in the holds queue. These kinds of titles rarely make it to a library shelf in the first few months of their life anyway - they're either checked out, on a hold shelf, or in transit. Perhaps the computer could be programmed to prioritize these "non-shelf" books when allocating which book will respond to the next hold. This would also increase the likelihood that "shelf" books (i.e. those that are assigned a space on a shelf in a branch) will be found by customers who are browsing the shelves, rather than being off circulating in hold land.
Once the ratio of holds to available copies gets below a certain threshold, the non-shelf books are pulled from circulation and sold, as already happens eventually with a certain number of copies of books with high initial demand.
So what does this achieve? If not all copies of high-demand, high-circulation books need a space on the shelf, there's more space on the shelf for other books. So titles that are perhaps less important and have less demand can have just a few spaces on the shelf, thereby making it possible to have a non-zero number of print copies and for customers to enjoy the book in their preferred medium.
For example, the library currently has 138 copies of Devoted in Death, the full-length In Death novel that comes before Down the Rabbit Hole. Currently, there are 45 holds on this title, but almost all the copies are checked out (and those that aren't are on the Best Bets shelf), so if some of the copies of this book were non-shelf, they'd still be doing their job, two months after release date, and probably for at least another month (assuming no new holds).
When Down the Rabbit Hole was first released, there were 80 holds for the 20 available copies, which means it will take 4 lending periods (12 weeks) for everyone to get a chance to read it. Let's use a conservative estimate that 10% of those holds are people who would prefer to read in print but are putting a hold on the only version available. (I suspect it's far more given the hold patterns on previous anthologies, but for the moment let's assume the library has a good sense of where the demand is.) If the library had just 2 print copies of Down the Rabbit Hole, these hypothetical 8 people who would rather have print copies could also get a chance to read the book in their preferred format within 4 lending periods, thereby providing equitable access in all formats.
If the library designated just two copies of Devoted in Death as non-shelf books, there would still be at least one copy for the shelves of each branch, and there'd also be room on the shelves for two print copies of Down the Rabbit Hole. The non-shelf books would be in full circulation for several months and then could be put straight into the used book sale - where maybe they could even charge a bit extra for them because they're still recent bestsellers.
If this were done on a larger scale, with a small number of non-shelf copies of high-demand titles, then perhaps the library could have one or two print copies of every book, so that everyone could access every title in their preferred format with no negative impact on the availability of high-demand titles.
But I was quite baffled to find that Down the Rabbit Hole, the anthology containing the latest In Death novella, is not available in print at all! In Death is a long-running series with over 50 titles, and every single title, including the anthologies containing the other novellas, is available from the library in print. But not this one. Even the next book, Brotherhood in Death, which isn't due to come out until February, is already on order and holdable in print. There's certainly precedent!
This is especially mysterious since the library has publicly spoken out against unfairly high ebook prices, so you'd think with ebooks being unfairly expensive they buy more print copies and fewer electronic copies. (Or, since libraries are given a limited number of uses for each copy of an ebook they buy, they'd at least give customers the option of reading on paper if that's what they prefer.) In the press release, the Chief Librarian is quoted as saying "Ensuring universal access to information in all its forms is key to public libraries’ mandate." Surely ensuring access to information in all its forms includes in print!
But a comment conversation here made me think that the reason for not getting paper copies of everything might be lack of physical shelf space! Which gave me an idea...
If the problem is in fact shelf space, what if, for books where the library acquires a large number of copies and anticipates many times that number of holds, a certain number of copies aren't assigned a space on a shelf in a branch? They just circulate throughout the holds system and are sent to the next customer in the holds queue. These kinds of titles rarely make it to a library shelf in the first few months of their life anyway - they're either checked out, on a hold shelf, or in transit. Perhaps the computer could be programmed to prioritize these "non-shelf" books when allocating which book will respond to the next hold. This would also increase the likelihood that "shelf" books (i.e. those that are assigned a space on a shelf in a branch) will be found by customers who are browsing the shelves, rather than being off circulating in hold land.
Once the ratio of holds to available copies gets below a certain threshold, the non-shelf books are pulled from circulation and sold, as already happens eventually with a certain number of copies of books with high initial demand.
So what does this achieve? If not all copies of high-demand, high-circulation books need a space on the shelf, there's more space on the shelf for other books. So titles that are perhaps less important and have less demand can have just a few spaces on the shelf, thereby making it possible to have a non-zero number of print copies and for customers to enjoy the book in their preferred medium.
For example, the library currently has 138 copies of Devoted in Death, the full-length In Death novel that comes before Down the Rabbit Hole. Currently, there are 45 holds on this title, but almost all the copies are checked out (and those that aren't are on the Best Bets shelf), so if some of the copies of this book were non-shelf, they'd still be doing their job, two months after release date, and probably for at least another month (assuming no new holds).
When Down the Rabbit Hole was first released, there were 80 holds for the 20 available copies, which means it will take 4 lending periods (12 weeks) for everyone to get a chance to read it. Let's use a conservative estimate that 10% of those holds are people who would prefer to read in print but are putting a hold on the only version available. (I suspect it's far more given the hold patterns on previous anthologies, but for the moment let's assume the library has a good sense of where the demand is.) If the library had just 2 print copies of Down the Rabbit Hole, these hypothetical 8 people who would rather have print copies could also get a chance to read the book in their preferred format within 4 lending periods, thereby providing equitable access in all formats.
If the library designated just two copies of Devoted in Death as non-shelf books, there would still be at least one copy for the shelves of each branch, and there'd also be room on the shelves for two print copies of Down the Rabbit Hole. The non-shelf books would be in full circulation for several months and then could be put straight into the used book sale - where maybe they could even charge a bit extra for them because they're still recent bestsellers.
If this were done on a larger scale, with a small number of non-shelf copies of high-demand titles, then perhaps the library could have one or two print copies of every book, so that everyone could access every title in their preferred format with no negative impact on the availability of high-demand titles.
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