I tend to learn about books/TV series/other creative works because I've seen it around, people are talking about it, it seems vaguely interesting, I think I'll check it out.
Occasionally, when I do check it out, I fall in love with it. Most creative works I don't fall in love with, but occasionally I do. I tend to have one primary fandom that I'm absolutely in love with going at any given time. I have no control over when this happens, and I have no control over when and how it switches to another primary fandom.
And every once in a while - although certainly more often than I'd prefer! - I learn, long after falling in love with a creative work, that the creator is a gross person, which makes me no longer want to be a fan of the work.
People in this situation often get rid of their books via used bookstores or libraries or little free libraries.
But the problem with that is it increases discoverability by people who might be like "Yeah, I've heard of that, it seems vaguely interesting, I think I'll check it out!" but aren't into it enough to know why the creator of the work is gross.
Which could then lead them into this very unwanted situation of falling in love with the work, and being in love with a work by a gross creator.
This is a problem. Discoverability is not morally neutral - especially when the creator is still alive and using their money to do harm or protect themselves from the consequences of harm they've done.
As a reader/viewer, I don't want to be emotionally attached to works by a gross creator. It has happened entirely too often! I would very much like product labelling and curation norms to protect me from this by making me aware of the issues before make the decision to read/watch.
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What do I mean by "protect me"?
An example of this is the societal norms surrounding labelling/classifying/marketing/curating sexual content.
I have certainly in my life encountered sexual content that I'd rather not have seen, but in every instance, I felt like "Well, what did I expect?"
When I was 11 I had the chance to stealthily watch an R-rated movie, and quickly became uncomfortable as it referenced aspects of sex that were far too advanced for me to even think about. Well, what did I expect? It's 18+!
Sometimes
I've clicked on questionable links and seen thoroughly unappealing porn. Well,
what did I expect? I clicked on a questionable link!
Some (but not all) of the sexual content aspects of Monty Python made me uncomfortable watching as a teenager (and others made me uncomfortable watching with my parents in the room). Well, what did I expect? It was introduced to me as irreverent, boundary-pushing humour written by a male comedy troupe!
This sense of "well, what did I expect?" is useful! I want that every time I come across something I didn't actually want to see!
However, this sense of "what did I expect?" doesn't seem to work for other types of content that I might want to be warned about. For example, I didn't anticipate the racism in Monty Python. I'm not able to explain why I was able to anticipate the sexual content but not the racism, but something about it didn't end up working out for me the way I wanted to.
This needs to be fixed somehow. We need a way for audience members - especially ignorant audience members - to be effectively forewarned, like we are with sexual content.
The big problem for me with racism and Monty Python is that I wasn't worldly enough to perceive it. But if I had gone in forewarned, and if I had decided to watch it anyway (Teenage Me might have watched it anyway to see what the big deal is), I would have kept an eye out, asked questions (I would have been comfortable asking my parents and they would have answered), and come away more informed.
But instead, I stumbled upon something I didn't even know was racist and went around gleefully talking it up to everyone who would listen for decades. Much like how, multiple times, I've stumbled upon - and become emotionally attached to - works that I would never have given the time of day if I had known in advance that the creator was a bad person I don't want to support, and gleefully promoted those works to other people.
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I don't know what the answer is for the problem of unwanted discoverability of gross creators. I don't want to burn books or ban books. I just don't want to fall in love with any more works by gross creators without being aware of the problems.
Maybe a useful approach would be to treat works by gross creators the way you would obscure reference books. They aren't the shelves, but you can pull them from the stacks or order them on request - not because they're banned, but rather because there's higher priority for shelf space. That way, people won't accidentally stumble on them and innocently fall in love with them - you have to know about them to ask for them, and, if we normalize this approach, the fact that they're not on the shelf might lead people to think "Oh, what if this is problematic?"
I'm sure other people who are smarter than me can also think of other useful approaches. And hopefully some of these people are in charge of curation and discoverability.
